Cappies: Colonel By presents a remarkable whimsical Seussical: The Musical

Indicate #5  Colonel By Secondary Faculty

Seussical: The Musical

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Director: Greg Crossett

Lara Kylas, Lead Critic
Merivale Excessive Faculty

“Oh, the thinks you can assume!” Gather round and let Colonel By Secondary Faculty’s whimsical rendition of Seussical: The Musical disappear you off your feet on a breeze by means of Whoville and the Jungle of Nool!

Lynn Ahrens and Stephen Flaherty’s musical weaves together classic Seuss reviews with the comedic Cat in the Hat as the narrator. This eccentric production has something for all individuals, from the tiniest Who to the greatest elephant in the jungle.

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Colonel By Secondary Faculty’s performance of Seussical was the brilliant results of the hard work of many talented young performers and creative minds. A few of the crucial remarkable aspects of the production was its synchrony. Each actor, dancer, and musician worked together to make an enchanting momentum. The crew, led by stage manager Marisa Salamunovic, moved as a unit and perfected the magically cartoonish terminate of the explain. You’ll be telling yourself “How Fortunate You Are” to see this performance!

This production featured many talented vocalists. Orlando Robinson and Keira Holahan, who played Horton and Jojo, have been a great pairing of misunderstood individuals who delivered beautiful harmonies in their uncomfortable duets. Tala Al-Iriani, acting as the antagonist, the Sour Kangaroo, captivated the audience along with her wealthy and resonating tell. Her stable and sassy performance made the character a very complicated one to loathe regardless of her infamous nature. Emma Visser was glorious on the stage, unafraid to candidly portray the generally desperate however charming character of Gertrude McFuzz who would gain anything for Horton’s attention. In “All For You”, Emma seamlessly flipped between her wistful vocals and nailing the comedic timing of her silly and expressive strains, inciting wealthy laughs from the audience amidst her emotive song.

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Viki Zhang’s space team perfected the whimsy of the production. Regardless of the towering measurement of some space gadgets, each part was painted beautifully with an impeccable level of attention to detail. The stage was transformed into a vibrant page straight out of a Dr. Seuss e book.

Lily Henaff, who portrayed The Cat in the Hat, had impeccable comedic timing which was highlighted by Thing 1 and Thing 2 and their dazzling props. The prop department, spearheaded by Khadija Arrhouai and Sukhmani Sharma, thoughtfully incorporated their impressive props and kept the audience on their toes, unable to predict what the subsequent shock may presumably be. The polished props appeared straight out of a cartoon, adding to the surreal really feel of the brilliant musical. Even all by means of scene changes, there was never a dreary 2nd thanks to the prop team’s diligent planning and Henaff’s wondrous storytelling as the Cat in the Hat.

With such a spacious and enchanting cast to work with, dance choreographers Laura Ball, Karina Stoochnoff, Maya Urminsky, and Anna Spreng had their work lower out for them, and they did no longer disappoint. With unending dance numbers ranging from sportive tap to melancholic contemporary to acrobatics match for a circus, the choreographers utilized their stage space and the cast’s various talents very effectively.

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The fast pace of the explain was no obstacle for the Cats Bamboozling Orchestra to sustain with. This remarkably talented pit orchestra nailed the broadly varied and wacky texture of the song they performed. The orchestra even efficiently took on an acting role when the Cat in the Hat opened up the 2nd act conducting the orchestra along with her zany dance moves.

“Oh, the thinks you can assume” whereas you imagine about Dr. Seuss are moderately unending indeed, which Colonel By Secondary Faculty has proven by means of this marvellous production.

Amira Hammoud, Lead Critic
St. Francis Xavier Excessive Faculty

Attempt to remain balanced and suitable… because right here to stay is the topsy-turvy world of Dr Seuss! Carried out by Colonel By Secondary Faculty, their production of Seussical: The Musical was a rollercoaster of rhymes, a symphony of silliness, and a excellent parade of peculiar personalities.

Seussical: The Musical is a musical comedy written by Lynn Ahrens and Stephen Flaherty, manifesting the kaleidoscopic variety of Dr. Seuss into a theatrical production. The anecdote revolves around the pivotal Seuss character Horton the Elephant as he discovers the iconic, mud-sized Whoville residing on a fluffy clover. Deciding to give protection to the delicate planet and the loveable Whos who call it dwelling, Horton has to face the adversity of his peers in the Jungle of Nool as Whoville finds itself on the brink of destruction.

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As a centre of the action, Lily Henaff in the role of the Cat in the Hat was incredibly frivolous and fantastically flamboyant, frolicking across the stage with finesse and flair. Henaff’s body language was captivating, constantly in stream – it gave the influence Henaff failed to have a single 2nd of stillness for the duration of the total lot of the performance. The soft, endearing Horton the Elephant was dropped at life by Orlando Robinson, totally embodying the personality of the famous character. Robinson’s tell was as steadfast as his character, hitting notes in beat with Cat’s Bamboozling Orchestra and bringing exceptional emotion to each song and dance. Robinson understood the physical demands of an elephant, trudging heavily with a remarkable mix of animalistic energy and grace.

Isla Rex and Avelyn Kingston have been quiet but magnetic in their roles as Thing 1 and Thing 2, respectively. Regardless of never speaking, Rex and Kingston’s energy was palpable and their rowdy dynamic propelled them forward as a unit, actually testifying to the talent of their physical comedy and synchronicity. In dual roles as the Grinch and Yertle the Turtle, Zacharie Zegers displayed remarkable versatility, distinctly embodying two drastically various characters with bizarre traits and mannerisms. His projection was deep and clear, handing over each line in a clear, comprehensible fashion. Colonel By Secondary Faculty’s entire cast never dipped in vitality, constantly increasing their vigour and enthusiasm until the curtains closed!

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The elaborate production aspects of the explain contributed artistically to the meant atmosphere. With a hand-painted space that consisted of a whirling, twirling Dr. Seuss-inspired landscape, the space crew, led by student Viki Zhang, ensured that the stage was visually abundant – and not utilizing a longer even one travel void of coloration. Impressively, four students have been accountable for the total lot of the enchanting choreography for the musical. Laura Ball, Karina Stoochnoff, Maya Urminsky, and Anna Spreng achieve a lot of attention and care into their choreography, capitalising on the cast’s individual talents to create an amalgamation of various mediums – from gymnastics to tap-dancing! The lights crew, headed by Kai Chen and Idika Poudel, have been timely and efficient, wielding various colours and instructions to emphasise the scenes unfurling beneath. Stage manager Marisa Salamunovic kept backstage gentle and organised for the duration of the explain, coordinating each a massive cast and an unending amount of props.

In a whirlwind production of coloration, creativity, and charisma, Colonel By Secondary Faculty’s rendition of Seussical: The Musical was captivating; bringing to lustrous life the unmistakably memorable contributors of Dr Seuss’s whimsical world!

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Abby Duplessis, Lead Critic
St. Mom Teresa Excessive Faculty

“Oh, The Thinks You Can Deem” whereas you imagine about Colonel By Secondary Faculty’s production of Seussical: The Musical. Vibrant costumes, captivating musical performances and beautiful choreography dropped at life the nostalgic reviews of Dr. Seuss.

Seussical: The Musical, co-conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle, is based on the works of Dr. Seuss and has song by Stephen Flaherty. Horton The Elephant finds a speck of mud that is dwelling to the Whos, together with to JoJo, an imaginative baby who is encouraged by the Cat In The Hat. Although he faces scepticism, Horton is certain to give protection to the Whos.

The cast was dedicated to performing many spectacular songs, such as the corpulent ensemble’s rendition of “Oh, The Thinks you Can Deem”. In particular, Tala Al-Iriani, as Sour Kangaroo, possessed a remarkable tell and broad vocal range proven in songs such as “Greatest Blame Fool”. The timely Cat’s Bamboozling Orchestra and synchronized dance performances, which included an impressive tap routine, choreographed by Laura Ball, Karina Stoochnoff, Maya Urminsky and Anna Spreng, greatly enhanced the musical performances.

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Orlando Robinson’s portrayal of Horton, with purposefully ungracious movements and soft tell, completely captured the essence of the heartfelt elephant. Lily Henaff, in the role of the Cat In The Hat, had impeccable comedic timing and was constantly engaged whether it was by means of meaningful strides or exaggerated body language. Henaff worked beautifully alongside Kiera Holahan, as JoJo, bringing a staunch connection portrayed by means of heartfelt smiles and interactive gestures. Holahan brought a youthful innocence by means of delicate, pondering facial expressions.

Emma Visser continuously accentuated the devoted and self-acutely aware personality of Gertrude McFuzz by means of comedic, but precise, emotive facial expressions and gestures, such as hands over the heart. As the Chicken Ladies, Genna Vitzthum, Athena Scerri Diacono and Marlene Petros-Oomen utilized coordinated movements and harmonized vocals to add an impactful presence to the stage. Hayel Abu-Hamdan, in the role of General Schmitz, was committed to capturing the character’s fierce attitude with a commanding tell and skillful body language, which included properly done twitching.

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Chelsea Jean-Baptiste’s makeup dropped at life a variety of characters, such as the Cat In The Hat by means of cartoon features, and rosy cheeks to demonstrate JoJo’s youthfulness. The enchanting sets, (headed by Viki Zhang), featured vibrant painted bushes and plant life which evoked the playful variety of Dr. Seuss. Props such as a brightly coloured egg and realistic microphone, (headed by Khadija Arrhaoui and Sukhmani Sharma), significantly contributed to various scenes.

All aspects of the explain came together seamlessly to transform the stage into the whimsical world of Dr. Seuss. Colonel By Secondary Faculty’s production of Seussical: The Musical demonstrated that with suitable company, no one is actually “Alone In The Universe”.

Elizabeth Kile, Critic
St. Francis Xavier Excessive Faculty

“Oh the issues you can assume” indeed! For one evening Colonel By Secondary Faculty ignited imaginations and transformed their stage into a whimsical marvel world of rhyme and song with their latest production of Seussical: The Musical!

In Seussical: The Musical, written by Lynn Ahrens and Stephen Flaherty, classic Dr. Seuss characters and worlds collide to add novel twists onto the feeble anecdote of Horton Hears a Who, which follows Horton the Elephant who swears to give protection to the small city of Whoville, which resides on a small speck of mud. On the opposite hand the whos are too small for anyone however Horton to hear, which earns him the judgement and disdain of his fellow wooded area creatures, who don’t imagine Whoville is real.

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The students of Colonel By Secondary Faculty really pulled out all the stops to fabricate an enchanting, charming and cohesive explain. The expansive and beautifully painted space brought the whimsical world of Seussical to life and served as the ideal place for the talented and enchanting actors to shine. Well choreographed and dynamic musical numbers have been dropped at life expertly by the actor’s movements and the timely physical comedy which is really the heart of a explain love Seussical. The orchestra accompanied the vocalists expertly and have been even incorporated into some scenes with the actors for extra immersion.

At the forefront of this explain, The Cat in The Hat played by Lily Henaff, entertained and happy all the evening. Although demonstrating a dazzling and enchanting tell, the place Henaff really shone was in physical comedy and impeccable comedic timing. The way Henaff moved really brought The Cat to life and the dedication to the character allowed the jokes to land flawlessly. Orlando Robinson, in the role of Horton The Elephant, made glorious spend of soppy vocals and a peaceful demeanour to create a very sympathetic and endearing lead to root for. The way Robinson moved was lumbering and elephant-love in a refined way, being noticeable however no longer taking away from the scene and gentle allowing Robinson to drag off enchanting choreography in character.

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Emma Visser as Gertrude McFuzz was really a highlight of the explain. Visser’s facial expressions and characterization of Gertrude made the character believable and dynamic, and Visser’s charming and expressive tell was excellent for the role. With a suitable range and properly done vocals, Visser may presumably disappear from comedic to precise in the same quantity without lacking a beat. Tala Al-Iriani as the Sour Kangaroo was absolutely no longer attainable to ignore with an extremely impressive vocal range and a stable, dynamic and beautiful tell, which commanded the stage each time the Sour Kangaroo took part in a quantity.

The space was expansive with many transferring parts and detailed linework which was done effectively. With the precision of a prerecorded track however the immersive and resonating sound handiest achieved by stay song, the vocalists and orchestra worked in excellent harmony. A few of the crucial gadgets have been also student performed and many times the orchestra was incorporated in suave ways to be an in-universe part of the explain. The student choreographed dance numbers have been properly concept out and entertaining, highlighting the special talents of the actors and together with very large however coordinated sequences, as properly as a student choreographed tap quantity which was done with precision.

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As spacious as an elephant or small as a who, orchestra, choreo and backstage crew, each student’s role creative and beneficial, in Colonel By Secondary Faculty’s Seussical: The Musical!

Mycah Olson, Critic
Almonte and District Excessive Faculty

“How Fortunate You Are” to have viewed Seussical: The Musical introduced by Colonel By Secondary Faculty. The passion and energy from this cast crammed the room and radiated by means of all the explain. From the opening act to the ending quantity right here’s the explain that kept on giving.

Seussical: The Musical by Lynn Ahrens and Stephen Flaherty is a comedic musical based on the writings of Dr. Seuss. This musical follows The Cat in the Hat guiding by means of the anecdote of Horton the Elephant, who has been caring for the Who’s down in Whoville, and the considerations he faces along the way all whereas gentle hoping he can save the Who’s and obtain all individuals to imagine that even supposing they are too small to see, they are gentle of us too. With the assistance of Gertrude McFuzz, Jojo and company along the way, will they be able to save the day?

This production had energy ranges from the roof to the flooring. The starting act space up the anecdote and the characters marvellously. “Oh, The Thinks You Can Deem” immediately crammed all individuals with life and space up exactly what all the production would proceed to showcase, exhilaration, liveliness and energy. The life from the cast to the energy of the orchestra, the time and care for of the production failed to disappear disregarded.

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Lily Henaff as The Cat in the Hat brought all the character into this explain. Lily showcased The Cat’s playful energy and (generally) sportive personality by means of physicality, vocal talent and audience interactions. Lily plucked The Cat in the Hat straight from the Dr. Seuss books and knew the character completely. Orlando Robinson as Horton the Elephant was wholesome and caring, showing the loving nature of Horton prominently by means of soft melodic vocals. Emma Visser who played Gertrude McFuzz knew Gertrude McFuzz. Emma was animated and showcased Gertrude’s hopeful for Horton notably in the song “Peep Me, Horton”. This song showed how properly Orlando and Emma worked together vocally, with beautiful harmonies and soulful ballads.

All the ensemble worked very properly together. Every harmony was chilling and flawless, the dance numbers have been achieved beautifully and teamwork of this cast paid off. Averie Smith as Mayzie La Chicken showed the characters self-care for and selfishness by means of remarkable vocals and enchanting expressions. Tala Al-Iriani as Sour Kangaroo was a powerhouse, with a huge, stable tell. Sour Kangaroo’s sassy and daring character was proven flawlessly.

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The Cat’s Bamboozling Orchestra was flawless with their song, constantly having the suitable volume and always being with the cast. The lights was achieved stunningly by means of the spend of vibrant lights, lightning effects and enjoyable highlight stream. The sets for this production have been extravagant, vibrant and so properly achieved they appeared as though they came straight from a Dr. Seuss e book.

“Oh, The Thinks You Can Deem” after seeing this production. The Colonel By Secondary Faculty cast and crew brought this production to life and placed on a production to be talked about, concept about and gushed about.

About the reviews:

The Colonel By Secondary Faculty production was reviewed by 24 critics representing 8 faculties. The critic discussions have been mentored by teacher Jillian Budgell of Immaculata Excessive Faculty and student reviews have been edited and chosen for publication by teacher Alex Budgell of Sir Wilfrid Laurier Secondary Faculty, who may presumably explore handiest the reviews, no longer the names or faculties of the reviewers.

Next overview: Elmwood Faculty’s production of Twelfth Night.

About the Cappies:

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The Citizen and 21 excessive faculties are participating in the Cappies, a Washington, D.C. based program that uses excessive faculty critics to overview excessive faculty theatre. The program is a bizarre partnership between the Ottawa Citizen, the Ottawa-Carleton District Faculty Board and the Ottawa Catholic Faculty Board. Two faculties from various boards in the space and one private faculty have also joined. The four winners of the lead acting categories will receive a bursary equipped by the international law agency Gowling WLG Canada LLP. Notice Canada’s Capital Cappies on X (formerly identified as Twitter) and Instagram @OttawaCappies.

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